
Repeated or egregious offenses will be countered with a ban. If you disagree with something, make your case politely. No flame wars, disrespect, condescension based on level of experience, or tactless posts stereotyping any group of people will be tolerated. Posts and comments are expected to be civil, even when there are disagreements.Please report threads and comments that violate the following rules: Be respectful It everyone design presets with us all in mind.This subreddit is for those wishing to discuss electronic dance music production. Make sure you play with the settings as you audition a new keyboard. That doesn’t necessarily mean the end of it though as tweaking some of th settings can actually alter the way it feels and make it more pleasurable to play. Sometimes you come across an instrument that sounds great, but doesn’t feel right. How instruments feel under our fingers are also an important aspect. Great for jazz, soul, R&B, and other styles. It’s got a few interesting features that gives it a more flexible tone, much like their EP plugin. Although, I got on to them through Waves and their Grand Rhapsody plugin. Mind you I don’t mind the Fazioli, I’m pretty sure Herbie Hancock owns one. Not that I’ve played one, I just like it’s tonality. It was much easier to choose Yamaha - C7 Grand VSTi as played many hours on real one in the past. In this question, this thread and opinions expressed here are very valuable. So can't really make a comparison rather than pick one for a tone pleasant to my ears.īut as I have several already one of the important "characteristics" my new pick have to meet is how close it sounds to a real thing. Picking the "Most real sounding" EP is really hard to me because I never heard Rhodes or Wurlitzer in real life. I have "Neo-Soul Keys 5x Ultimate for UVI", AAS - "Lounge Lizard EP-4", Scarbee's "Vintage keys" as a part of the "Komplete 10 Ultimate" and Arturia - "Analog Lab 3". I think that will be the smarter way to go around it.Thanks, simon.billington great point.Īlso, thanks for all who shared their thoughts. I think that will be the smarter way to go around it. Armed with this you can narrow it down to a few choices and audition them for yourself and make up your own mind. What you simply want to know is, “what are the options” or “what’s everyone using and what do they find it good for”. If the can’t sound alike, then how are plugins expected to?!? You can’t even ask what is more authentic, because these instruments don’t sound identical themselves. This is because there is no such this as “best”, only what’s best for a particular person. As you see, ask a question like that and you’ll get a dozen different responses. I don’t think the question to be asking is “what is the best” because best is subjective. There is reason to use any of these instruments. It is only the Mark II at this stage, but hopefully more modes will come.
Komplete ultimate 10 rhodes full#
Even so, it’s quick to dial in tone and has a few unique features to help make it more expressive or more abstract and full of character, which is where it overlaps with these more detailed libraries. It’s not quite as quick to get started on the account of its sample set, but quicker than others. The Waves Electric 88 is somewhere in the middle ground of all these. The Soniccouture ep oozes with lots of character though and I’d consider using it in other instances, if I owned it. The same thing can be said for the Scarbee model. You can easily use it to replace one of the above as you progress further into production nd realise you need more expressiveness in your tone. That’s one I would consider using for quality and the playability of things. I don’t have Neo Soul, it damn it sounds great and it’s detailed. Logic’s Vintage EP is still and old fav for me and you can get started almost just as quickly as the XLN. It’s really good for getting started quickly, which can be very important in the flow of things. I actually like the XLN Mark One because it’s fast to load and get into and has some basic patches and macros for getting to your sound quick.
